Please contact me because I would love to stop by! I have tried multiple times but sadly no one answers but that’s okay because I get that y’all are busy!! I would recommend this place to anyone who thinks they are struggling with drug abuse or if you think your kid is. I loved this place because of the staff and my counselor who was named Jennifer. I will have 2 years sober on March 2nd and I go to NA and I want people who actually want to be sober know that someone their age is out there doing it. I really want to come and visit and share my experience, strength ,and hope with the kids one day. ★★★★☆ I went here a few years back and I liked it. I think this place would be a blessing for any adolescent to go to if they had a problem. The staff is amazing and very open if you ever need to talk. ★★★★★ My name is Dominic and I just completed the program here and it was difficult at first but very easy to adjust to. ★★★★★ As a mother no one wants to take there 15 year old to rehab when we walked in the door you could tell this was the right place they let us stay with my son till in take was over with they didn’t rush us made us feel like home even asked if my daughter was hungry they introduced us to all the stuff that my son would be working with all together I’m thankful for finding this place for my son Victor T. It’s a piece that is miles from its source material in many ways, but strangely original and unexpectedly impactful.Reviews Nichole E.
Odyssey house how to#
And an experiment in how to talk about environmental crisis without talking about it working on the senses rather than storytelling, offering nature as its hero, and giving just the slightest possibility of hope.
It’s like a meditation, a bleak but strangely powerful one. Sucked into the enveloping swell of Joel Cadbury’s ambient soundtrack, UniVerse seems to be in its own time zone – you have no idea how many minutes have passed. Those images, allowed to linger, are arguably more effective than the dance. And film designer Ravi Deepres provides arresting single images: an oil rig ablaze, a bird washed up on a beach, slowly swallowed by a thick black slick. We get direct words from young poet Isaiah Hull, listing the world’s ills: “The next generation pays the price,” he says in voiceover. Rather than the characterful protagonists that tell the film’s story, the always-impressive dancers from Company Wayne McGregor embody the natural elements: water (or melting icecaps), with bodies flowing snakily and mouths contorted in silent screams earth, signified by beautifully twisting tree roots on their catsuits, the art-meets-avant-garde-fashion costumes designed by Philip Delamore and Alex Box air, with celestial skies and a scene complete with staring eyeball, a nod to oracle Aughra from the film and fire, in which the dancers wear wing-like lacy sleeves, raging through a forest that’s burnt to black.Īrresting images … UniVerse: A Dark Crystal Odyssey. McGregor’s point is that this isn’t fantasy, this is our world. But a picture of a world in peril, yes, that is here, a place with its elements dangerously out of balance on the verge of destruction. There are no fantastical puppets here, no mythical worlds, no sweet elf-like creatures on a quest for a crystal, no obvious division between two sides, the wise and the cruel, goodies and baddies. T he key thing to know about Wayne McGregor’s new show is that, although it was inspired by Jim Henson’s cult 1982 film The Dark Crystal, it is nothing like The Dark Crystal.
0 kommentar(er)
